Author Archives: Christa Faust
Butch Hunt, 2012
Attention Butches, Studs, AGs and all Masculine of Center readers: Think you’ve got what it takes to play two-fisted dyke dick Butch Fatale? I’m gearing up for my next Butch Fatale novel, and I want to put together a sexy… Read More
Mary Ryan, Detective and Kid Glove Killer
This is it. End of the line. The very last Noir City post of 2012. The final show was a Marsha Hunt double bill, starting with Mary Ryan, Detective. A female detective (Hunt) goes undercover to bust up a gang… Read More
Circumstantial Evidence and Sign of the Ram
Another year, another Noir City in the can. For the final quadruple feature, I’m splitting my write up into two halves, so that we can make it last. Here’s the first half. Starting with Circumstantial Evidence. It wasn’t until the… Read More
Phantom Lady, Black Angel and The Window
Last night’s big Cornell Woolrich triple feature turned into a quadruple feature when Eddie Muller arranged to rescreen Suddenly. Good thing I was dressed down to go the distance and brought along a picnic dinner First in line was Phantom… Read More
Three Strangers and Nobody Lives Forever
Unfortunately, I was not able to make yesterday’s matinee with Denise Hamilton, but I was there for the night’s Geraldine Fitzgerald double feature. First the wonderful Three Strangers. I’ve seen this one several times and love it. This may be… Read More
The Maltese Falcon (1931) and City Streets
This is the kind of write up that tortures me (and you, too I’m sure) because I absolutely loved City Streets and it’s not available on DVD. Like Crashout, this is a film that more people need to see, but… Read More
Okay America and Afraid to Talk
Okay America and Afraid to Talk Before I get on to last night’s films, I need to mention something I forgot to include in yesterday’s write up. There’s a foot fetish scene in Private Hell 36! I only remembered about… Read More
Shield For Murder and Private Hell 3
I think last night was my favorite so far. It was billed as a “crooked cop” double feature. Which it is, but I liked my friend Richard Heft’s description better: a “festival of booze-sweaty foreheads.” Which it also is. First… Read More
Johnny O’Clock and Johnny Allegro
A “Johnny on the Spot” double feature, one good and one not so good. First, O’Clock. Dick Powell plays a swanky gangster whose convoluted love life, including his boss’ slutty wife, a heartbroken hatcheck girl and his jealous live-in “man,”… Read More
Slaughter on Tenth Avenue and Edge of the City
A New York Waterfront double bill, one more New York than the other. First, Slaughter on Tenth Avenue. This movie should have been called “Slaughter in Long Beach,” but that’s okay. The lack of real NYC locations were more than… Read More